After supper the doctor was shown to his room, where a bed had been made up for him, but
he did not feel sleepy. The room was stuffy and it smelt of paint; he put on his coat and
went out.
It was cool in the open air; there was already a glimmer of dawn, and all the five blocks of
buildings, with their tall chimneys, barracks, and warehouses, were distinctly outlined
against the damp air. As it was a holiday, they were not working, and the windows were
dark, and in only one of the buildings was there a furnace burning; two windows were
crimson, and fire mixed with smoke came from time to time from the chimney. Far away
beyond the yard the frogs were croaking and the nightingales singing.
Looking at the factory buildings and the barracks, where the workpeople were asleep, he
thought again what he always thought when he saw a factory. They may have performances
for the workpeople, magic lanterns, factory doctors, and improvements of all sorts, but, all
the same, the workpeople he had met that day on his way from the station did not look in
any way different from those he had known long ago in his childhood, before there were
factory performances and improvements. As a doctor accustomed to judging correctly of
chronic complaints, the radical cause of which was incomprehensible and incurable, he
looked upon factories as something baffling, the cause of which also was obscure and not
removable, and all the improvements in the life of the factory hands he looked upon not as
superfluous, but as comparable with the treatment of incurable illnesses.
"There is something baffling in it, of course . . ." he thought, looking at the crimson
windows. "Fifteen hundred or two thousand workpeople are working without rest in
unhealthy surroundings, making bad cotton goods, living on the verge of starvation, and
only waking from this nightmare at rare intervals in the tavern; a hundred people act as
overseers, and the whole life of that hundred is spent in imposing fines, in abuse, in
injustice, and only two or three so-called owners enjoy the profits, though they don't work
at all, and despise the wretched cotton. But what are the profits, and how do they enjoy
them? Madame Lyalikov and her daughter are unhappy -- it makes one wretched to look at
them; the only one who enjoys her life is Christina Dmitryevna, a stupid, middle-aged
maiden lady in pince-nez. And so it appears that all these five blocks of buildings are at
work, and inferior cotton is sold in the Eastern markets, simply that Christina Dmitryevna
may eat sterlet and drink Madeira."
Suddenly there came a strange noise, the same sound Korolyov had heard before supper.
Some one was striking on a sheet of metal near one of the buildings; he struck a note, and
then at once checked the vibrations, so that short, abrupt, discordant sounds were produced,
rather like "Dair . . . dair . . . dair. . . ." Then there was half a minute of stillness, and from
another building there came sounds equally abrupt and unpleasant, lower bass notes: "Drin .
. . drin . . . drin. . ." Eleven times. Evidently it was the watchman striking the hour. Near the
third building he heard: "Zhuk . . . zhuk . . . zhuk. . . ." And so near all the buildings, and
then behind the barracks and beyond the gates. And in the stillness of the night it seemed as
though these sounds were uttered by a monster with crimson eyes -- the devil himself, who
controlled the owners and the work-people alike, and was deceiving both.
Korolyov went out of the yard into the open country.
"Who goes there?" some one called to him at the gates in an abrupt voice.