abashed self-conscious bounder cruelly exposed. He hasn't a touch of colour in the skin of
his face, his head juts forward, and those queer little dark amber eyes of his watch furtively
round him for his fame. His clothes fit perfectly and yet sit upon him as though he had
bought them ready-made. He speaks in a mumble still, but he says, you perceive
indistinctly, enormous self-assertive things, he backs into the rear of groups by instinct if
Banghurst drops the line for a minute, and when he walks across Banghurst's lawn one
perceives him a little out of breath and going jerky, and that his weak white hands are
clenched. His is a state of tension--horrible tension. And he is the Greatest Discoverer of
This or Any Age--the Greatest Discoverer of This or Any Age! What strikes one so forcibly
about him is that he didn't somehow quite expect it ever, at any rate, not at all like this.
Banghurst is about everywhere, the energetic M.C. of his great little catch, and I swear he
will have every one down on his lawn there before he has finished with the engine; he had
bagged the prime minister yesterday, and he, bless his heart! didn't look particularly outsize,
on the very first occasion. Conceive it! Filmer! Our obscure unwashed Filmer, the Glory of
British science! Duchesses crowd upon him, beautiful, bold peeresses say in their beautiful,
clear loud voices--have you noticed how penetrating the great lady is becoming
nowadays?--'Oh, Mr. Filmer, how did you do it?'
"Common men on the edge of things are too remote for the answer. One imagines
something in the way of that interview, 'toil ungrudgingly and unsparingly given, Madam,
and, perhaps--I don't know--but perhaps a little special aptitude.'"
So far Hicks, and the photographic supplement to the New Paper is in sufficient harmony
with the description. In one picture the machine swings down towards the river, and the
tower of Fulham church appears below it through a gap in the elms, and in another, Filmer
sits at his guiding batteries, and the great and beautiful of the earth stand around him, with
Banghurst massed modestly but resolutely in the rear. The grouping is oddly apposite.
Occluding much of Banghurst, and looking with a pensive, speculative expression at
Filmer, stands the Lady Mary Elkinghorn, still beautiful, in spite of the breath of scandal
and her eight-and-thirty years, the only person whose face does not admit a perception of
the camera that was in the act of snapping them all.
So much for the exterior facts of the story, but, after all, they are very exterior facts. About
the real interest of the business one is necessarily very much in the dark. How was Filmer
feeling at the time? How much was a certain unpleasant anticipation present inside that very
new and fashionable frock-coat? He was in the halfpenny, penny, six-penny, and more
expensive papers alike, and acknowledged by the whole world as "the Greatest Discoverer
of This or Any Age." He had invented a practicable flying machine, and every day down
among the Surrey hills the life-sized model was getting ready. And when it was ready, it
followed as a clear inevitable consequence of his having invented and made it--everybody
in the world, indeed, seemed to take it for granted; there wasn't a gap anywhere in that
serried front of anticipation--that he would proudly and cheerfully get aboard it, ascend with
it, and fly.
But we know now pretty clearly that simple pride and cheerfulness in such an act were
singularly out of harmony with Filmer's private constitution. It occurred to no one at the
time, but there the fact is. We can guess with some confidence now that it must have been
drifting about in his mind a great deal during the day, and, from a little note to his physician
complaining of persistent insomnia, we have the soundest reason for supposing it