"To-day I shall take with me Auntie and F'yodor Timofeyitch. To-day, Auntie, you will take
the place of poor Ivan Ivanitch in the 'Egyptian Pyramid.' Goodness knows how it will be!
Nothing is ready, nothing has been thoroughly studied, there have been few rehearsals! We
shall be disgraced, we shall come to grief!"
Then he went out again, and a minute later, came back in his fur-coat and top hat. Going up
to the cat he took him by the fore-paws and put him inside the front of his coat, while
Fyodor Timofeyitch appeared completely unconcerned, and did not even trouble to open his
eyes. To him it was apparently a matter of absolute indifference whether he remained lying
down, or were lifted up by his paws, whether he rested on his mattress or under his master's
fur-coat.
"Come along, Auntie," said her master.
Wagging her tail, and understanding nothing, Auntie followed him. A minute later she was
sitting in a sledge by her master's feet and heard him, shrinking with cold and anxiety,
mutter to himself:
"We shall be disgraced! We shall come to grief!"
The sledge stopped at a big strange-looking house, like a soup-ladle turned upside down.
The long entrance to this house, with its three glass doors, was lighted up with a dozen
brilliant lamps. The doors opened with a resounding noise and, like jaws, swallowed up the
people who were moving to and fro at the entrance. There were a great many people,
horses, too, often ran up to the entrance, but no dogs were to be seen.
The master took Auntie in his arms and thrust her in his coat, where Fyodor Timofeyirch
already was. It was dark and stuffy there, but warm. For an instant two green sparks flashed
at her; it was the cat, who opened his eyes on being disturbed by his neighbour's cold rough
paws. Auntie licked his ear, and, trying to settle herself as comfortably as possible, moved
uneasily, crushed him under her cold paws, and casually poked her head out from under the
coat, but at once growled angrily, and tucked it in again. It seemed to her that she had seen a
huge, badly lighted room, full of monsters; from behind screens and gratings, which
stretched on both sides of the room, horrible faces looked out: faces of horses with horns,
with long ears, and one fat, huge countenance with a tail instead of a nose, and two long
gnawed bones sticking out of his mouth.
The cat mewed huskily under Auntie's paws, but at that moment the coat was flung open,
the master said, "Hop!" and Fyodor Timofeyitch and Auntie jumped to the floor. They were
now in a little room with grey plank walls; there was no other furniture in it but a little table
with a looking-glass on it, a stool, and some rags hung about the corners, and instead of a
lamp or candles, there was a bright fan-shaped light attached to a little pipe fixed in the
wall. Fyodor Timofeyitch licked his coat which had been ruffled by Auntie, went under the
stool, and lay down. Their master, still agitated and rubbing his hands, began
undressing. . . . He undressed as he usually did at home when he was preparing to get under
the rug, that is, took off everything but his underlinen, then he sat down on the stool, and,
looking in the looking-glass, began playing the most surprising tricks with himself. . . . First
of all he put on his head a wig, with a parting and with two tufts of hair standing up like
horns, then he smeared his face thickly with something white, and over the white colour