her remarkable visualising power, which had only thriven, it seemed,
upon the flagging of youth and health, carried her through a series of
waking dreams, almost always concerned with the war. Under the stimulus
of Farrell's intelligence, she had become a close student of the war.
She read much, and what she read, his living contact with men and
affairs--with that endless stream of wounded in particular, which passed
through the Carton hospital--and his graphic talk illumined for her.
Then in the night arose the train of visions; the trenches--always the
trenches; those hideous broken woods of the Somme front, where the
blasted soil has sucked the best life-blood of England; those
labyrinthine diggings and delvings in a tortured earth, made for the
Huntings of Death--'Death that lays man at his length'--for panting
pursuit, and breathless flight, and the last crashing horror of the
bomb, in some hell-darkness at the end of all:--these haunted her. Or
she saw visions of men swinging from peak to peak above fathomless
depths of ice and snow on the Italian front; climbing precipices where
the foot holds by miracle, and where not only men but guns must go; or
vanishing, whole lines of them, awfully forgotten in the winter snows,
to reappear a frozen and ghastly host, with the melting of the spring.
And always, mingled with everything, in the tense night hours--that
slender khaki figure, tearing the leaf from his sketch-book, leaping
over the parados,--falling--in the No Man's Land. But, by day, the
obsession of it now often left her.
It was impossible not to enjoy her new home. Farrell had taken an old
Westmorland farm, with its white-washed porch, its small-paned windows
outlined in white on the grey walls, its low raftered rooms, and with a
few washes of colour--pure blue, white, daffodil yellow--had made all
bright within, to match the bright spaces of air and light without.
There was some Westmorland oak, some low chairs, a sofa and a piano from
the old Manchester house, some etchings and drawings, hung on the plain
walls by Farrell himself, with the most fastidious care; and a few--a
very few things--from his own best stores, which Hester allowed him to
'house' with Nelly from time to time--picture, or pot, or tapestry. She
played watch-dog steadily, not resented by Farrell, and unsuspected by
Nelly. Her one aim was that the stream of Nelly's frail life should not
be muddied by any vile gossip; and she achieved it. The few neighbours
who had made acquaintance with 'little Mrs. Sarratt' had, all of them
been tacitly, nay eagerly willing, to take their cue from Hester. To be
vouched for by Hester Martin, the 'wise woman' and saint of a
country-side, was enough. It was understood that the poor little widow
had been commended to the care of William Farrell and his sister, by the
young husband whose gallant death was officially presumed by the War
Office. Of course, Mrs. Sarratt, poor child, believed that he was still
alive--that was so natural! But that hope would die down in time. And
then--anything might happen!
Meanwhile, elderly husbands--the sole male inhabitants left in the
gentry houses of the district--who possessed any legal knowledge,
informed their wives that no one could legally presume the death of a
vanished husband, under seven years, unless indeed they happen to have a
Scotch domicile, in which case two years was enough. _Seven
years_!--preposterous!--in time of war, said the wives. To which the
husbands would easily reply that, in such cases as Mrs. Sarratt's, the
law indeed might be 'an ass,' but there were ways round it. Mrs. Sarratt
might re-marry, and no one could object, or would object. Only--if
Sarratt did rise from the dead, the second marriage would be _ipso
facto_ null and void. But as Sarratt was clearly dead, what did that